 |
 |
|
 |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 |
 |
 |
 |
 |
 |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 |
 |
 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 |
 |
TECHNOLOGY
STUDIO A new dimension has been added to the Conservatory’s music technology studio. Under the direction of part-time composition faculty member, Neil Argo, the facility has been upgraded to become a comprehensive recording studio. Upgrades include the addition of a 24-track digital mixing board, additional hardware and software components, and artist-quality Neumann microphones. The studio is now capable of recording sessions in the choral and instrumental rehearsal rooms and Lansing Recital Hall, allowing for the recording of ensemble performances and rehearsals. Dr. Boespflug commented on the new technology: “The new recording capabilities will allow ensemble directors to expose students to the exacting rigor of recording sessions, provide our composition majors with the opportunity to record original works combining acoustic and digital elements, and will serve as a means for students to create first class demos and audition recordings for graduate school. Moreover, all students will have opportunity to be exposed to the technology through the music technology course required of all music majors.” |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
 |
 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
 |
 |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
